Single seaters
British F4 at Snetterton
Karting · World final
RMC Grand Finals Bahrain 2025
Karting · Cinematic
Charlie Page Racing cinematics
Charlie Page Racing · Retainer client
International karting
Where we've raced
15 circuits · 3 continents
- 01Dubai KartdromeDubai, UAE
- 02RMC Grand FinalsSakhir, Bahrain
- 03New Castle Motorsports ParkIndiana, USA
- 04Karting GenkGenk, Belgium
- 05Prokart RacelandWackersdorf, Germany
- 06Steel RingTřinec, Czech Republic
- 07Kartódromo ValenciaValencia, Spain
- 08Cremona CircuitCremona, Italy
- 09Circuit d'OstricourtOstricourt, France
- 10RMC International TrophyLe Mans, France
- 11Whilton MillNorthamptonshire, England
- 12SilverstoneNorthamptonshire, England
- 13DunkeswellDevon, England
- 14Warden LawSunderland, England
- 15LarkhallLanarkshire, Scotland
Golf · Behind the scenes
Forebros
Long-form · Third camera
Forebros YouTube productions
- The Fore Bros Masters with Sky Sports572K views
- Fore Bros PGA Championship459K views
- The Forebros US Open434K views
- The Fore Bros £20,000 Golf Match250K views
Football
Brentford vs PSG U21s
Hospitality · Drone & cinematic
Veranda Resorts, Mauritius

Case study · Social & brand
Charlie Page Racing


- Every post built on a template: big type, results, dates and sponsor logos stacked on top of the photo.
- The driver and the racing got lost behind the branding.
- The grid read as one long run of adverts rather than a season.


- The pictures carry the story: on track, in the paddock, on the podium.
- Text kept to the caption, with branding on the kart and suit where it belongs.
- One consistent grade and look across every event, from Genk to Le Mans.
Result
Since I took over Charlie's content, his audience has grown more than elevenfold, with a cleaner, premium feed that sponsors and teams can recognise at a glance.

About
Film first. Then everything else.
I'm Cameron. I grew up obsessed with films and with beautiful images, and that is still what drives everything I shoot.
I trained in visual effects for film and television, graduating with a First from Escape Studios. The craft stuck with me, but the way the industry worked didn't, so I took my love of the image into photography and videography instead: being on the ground, capturing the moment as it happens.
I'm not afraid of colour. I like to push it when a scene calls for it and pull it back to something muted and filmic when it doesn't. Every frame I deliver is graded by me, so a whole season or campaign carries one consistent look.
- Since
- March 2025, as Visuals By Cameron
- Training
- BA (Hons) Visual Effects, First Class · Escape Studios, University of Kent
- Focus
- Motorsport, sport, hospitality and corporate
- Based
- West London · working worldwide
Services
What I do
Sport
Matchday and race weekend coverage for players, drivers and teams.
- Pitchside & trackside photography
- Race recap edits
- Retainer social management
Corporate
Clean, reliable day-rate shoots for firms that need polished output on deadline.
- Interview & testimonial films
- Event photography
- Headshots & team portraits
Brand content
Short-form and series content built for the platforms your audience uses.
- Social video series
- Graphics & posters, sourced through trusted designers
- Branding for athletes
Kit & workflow
Shot in log, graded in Resolve
Everything is captured in S-Log3 and colour graded in DaVinci Resolve, so footage holds up from a sunlit grid to a dim conference room.
- Body
- Sony A1 II
- Lenses
- Sony 400mm f/2.8 GM · 85mm f/1.4 · 35mm f/1.4 · 24–70mm f/2.8 · 70–200mm f/2.8 II
- Capture
- S-Log3 / S-Gamut3.Cine
- Post
- DaVinci Resolve · Adobe Lightroom
- Coverage
- Worldwide
